See See Writer

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The term power was used by the Greek mathematician Euclid for the square of a line.^[1] Archimedes discovered and proved the law of exponents, 10^a 10^b = 10^a+b, necessary to manipulate powers of 10.^[2] In the 9th century, the Persian mathematician Muhammad ibn Mūsā al-Khwārizmī used the terms mal for a square and kahb for a cube, which later Islamic mathematicians represented in mathematical notation as m and k, respectively, by the 15th century, as seen in the work of Abū al-Hasan ibn Alī al-Qalasādī.³

In the late 16th century, Jost Bürgi used Roman numerals for exponents.^[4]

Early in the 17th century, the first form of our modern exponential notation was introduced by Rene Descartes in his text titled La Géométrie; there, the notation is introduced in Book I.^[5]

Nicolas Chuquet used a form of exponential notation in the 15th century, which was later used by Henricus Grammateus and Michael Stifel in the 16th century. The word "exponent" was coined in 1544 by Michael Stifel.^[6] Samuel Jeake introduced the term indices in 1696.^[7]  In the 16th century Robert Recorde used the terms square, cube, zenzizenzic (fourth power), sursolid (fifth), zenzicube (sixth), second sursolid (seventh), and zenzizenzizenzic (eighth).^[7] Biquadrate has been used to refer to the fourth power as well.

Some mathematicians (e.g., Isaac Newton) used exponents only for powers greater than two, preferring to represent squares as repeated multiplication. Thus they would write polynomials, for example, as ax + bxx + cx³ + d.

Another historical synonym, involution,^[8] is now rare and should not be confused with its more common meaning.

In 1748 Leonhard Euler wrote "consider exponentials or powers in which the exponent itself is a variable. It is clear that quantities of this kind are not algebraic functions, since in those the exponents must be constant."^[9] With this introduction of transcendental functions, Euler laid the foundation for the modern introduction of natural logarithm as the inverse function for the natural exponential function, f(x) = e^x.

- wikipedia

 Wassily Kandinsky, Der Blaue Reiter, 1903

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see ^see

"See See Rider", also known as "C.C. Rider", "See See Rider Blues" or "Easy Rider", is a popular American 12-bar blues song, originally recorded by Gertrude "Ma" Rainey in 1924. The song uses mostly traditional blues lyrics to tell the story of an unfaithful lover, commonly called an easy rider: "See see rider, see what you have done," making a play on the word see and the sound of easy.

Origins of the term : The term see see rider is usually taken as synonymous with easy rider. In dirty blues songs it often refers to a woman who had liberal sexual views, had been married more than once, or was skilled at sex. Although Ma Rainey's version seems to refer to "See See Rider" as a man, one theory is that the term refers to a prostitute and in the lyric "You made me love you, now your man done come," "your man" refers to the woman's pimp. So, rather than being directed to a male "easy rider," the song is in fact an admonition to a prostitute to give up her evil ways.^[11] [12]

There are further theories:
- Easy rider was sometimes used to refer to the partner of a hypersexual woman who therefore does not have to work or pay for sex.^[11] [12]
- Another theory is that the term easy rider sometimes originally referred to the guitar hung across the back of a travelling blues singer.^[13]
- Other sources indicate that C.C. Rider refers to either early "church circuit" traveling preachers who did not have established churches or "county circuit" riders who were attorneys following a circuit judge.^[14] [15]

- wikipedia

 
  

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see see ^{see see}

This traditional blues song was originally recorded as 'C.C. Rider' by William Lee Conley, or as he was better known, Big Bill Broonzy, in the 1920s. Ma Rainey made it popular in 1925 as the 'See See Rider Blues', and both Ma Rainey and Big Bill's versions are much slower than Elvis' version.

Once rock bands took a hold of the song, they sped it up a bit. Both The Animals and Mitch Ryder & The Detroit Wheels covered the song (as both 'See See' and 'C.C'. respectively). LaVern Baker's 1962 version is sped up, too, but it's also bluesy.

Elvis' version is maybe the most energetic version of them all.

   - For Elvis Fans Only

   - Traditional Music Co.

see : Wayne Cochran & the C.C. Riders

see : cc ^{Theatre of the Actors of Regard}

  

meta-punitive exponentiation ^{meta-unitive exponentiation}

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